Writing a (good) scientific paper

1. First of all, review your data and identify what is unique and special about your paper. This will now be your focus. Stick to this main focus/finding!
2. Think through the structure of the paper before you start writing. Only use material that will really contribute to the story.
3. Structure your paper with lots of subheadings, don’t be shy!
4. Have you gone through every single sentence in the paper to make sure it is as short as possible (a sentence should be no more than 1–1.5 lines in A4 12 point)? Organise carefully to avoid repetition.
5. Have you taken every step to make sure the paper is as short as possible (to maintain the focus)? Fewer words are ALWAYS better than more!
6. Avoid complex phrases and keep to simple words.
7. Avoid using personal terms such as ‘our’ or ‘we’. Science is supposed to be impersonal and objective.
8. Use acronyms sparingly and ensure they are properly explained at first use.
9. Make figure legends full and complete and explain as much as possible (date samples taken, replication, etc.).
10. Do not make the figure the subject of the sentence!
11. Discuss your results and end the sentence with the figure/table in brackets. For example ‘the highest concentrations of Zn were in the Yellow river (Fig. 6)’, rather than ‘Figure 6 shows . . .’
12. Do not repeat in the text long lists of data which you have already presented in the figures and tables. Results and discussion should be a limited summary of the main findings. The data in the figures/tables do not need to be repeated in the text.
13. Do not use several significant figures without good reason! A value of 7.6 is better than 7.5894! This is particularly true when model estimations are given, because here there will be large uncertainty.
14. Ensure that the amount of discussion is proportional to the importance of the topic. Do not distract the reader with long discussions on aspects that are trivial compared to the main focus of the paper.
15. Maintain that narrative thread! You must keep the readers’ attention so that they can follow your story. Don’t run several different stories or mess things up with information that distracts from your storyline. If you try to put too much stuff into a bag, it will break!
16. Use emphasis carefully. Don’t say ‘this clearly shows’ as that implies certainty and hints at arrogance. Try instead to use ‘this strongly suggests’ or ‘this indicates’ which, whilst revealing your conviction, still leaves a space for uncertainty.
17. Work hard to squeeze out any ambiguity. Try to make each sentence stand alone and not require the preceding sentence to make sense. Put the paper down and re-read after a week. Does it still make sense?
18. The conclusions section should be as brief as possible, a paragraph of no more than 1/3 of a page. Don’t re-open the discussion. If permitted, bullet points are very useful.

Giving a presentation

1. Be sympathetic to your audience! Don’t overestimate the knowledge of your audience or how quickly they can assimilate your information.
2. Consider your talk as a story and draw your audience to an inescapable conclusion.
3. Manage the amount of information presented on each slide wisely so that it is easily digestible.
4. Ensure all material is legible, even from the back of a large hall.
5. Always strive to help your audience understand by carefully identifying the key findings.
6. Avoid acronyms as much as possible.
7. Show honesty and your human side.
8. Look out at your audience so that no one feels left out, some movement will help you feel relaxed and keep the audience with you.
9. Practice and ensure you can keep to time.

Time management

1. Identify which tasks are critical and prioritize them.
2. Do make a plan and keep it near you, in plain sight.
3. When working with others, double check that the task is understood by all parties.
4. Protect yourself from the time vampires!
5. Keep nurturing scientific relationships.
6. Check if your character is playing a detrimental role.
7. Permit yourself breaks.

The basics of doing an experiment

1. Start with a hypothesis.
2. Try a preliminary experiment to test the water.
3. Keep it simple.
4. Make your sample size as high as possible and consult a statistician early on.
5. Use appropriate and sufficient controls.
6. Beware of bias and the ‘eye of faith’.

Lack of confidence and the embarrassment factor

1. All scientists start by knowing little.
2. Even the best scientists don’t know everything.
3. Over-confident scientists can be a menace.
4. Examples of under confidence include being unwilling to present your work, not letting go of datasets, and restricting your research, lifelong, to a small area.
5. Be open to your supervisor and/or mentor about support you might need with confidence.
6. Science requires everyone to accept a need for constant improvement, so don’t take criticism too hard.
7. Plan baby steps with tasks and presentations that will gradually increase your confidence.
8. Confidence takes time, so stick with it!

Integrity in science

1. Without honesty science will fail.
2. Design your experiments as thoroughly as possible, taking particular care over the controls.
3. Resist pressure to overlook or ignore awkward data.
4. Be the first to admit errors or mistakes.
5. Don’t see things which aren’t there because of the ‘eye of faith’.
6. Honesty and transparency will highlight your qualities as a good scientist.

How do I find my way?

1. Start with areas of science you really like, that interest you.
2. Maybe look for topics which are just starting to receive a lot of interest.
3. Select the right supervisor for you.
4. Seize opportunities for independence when you can.
5. Look for big or worthwhile questions to study, will they pass the ‘so what’ test?
6. Keep an eye out for applying techniques from other disciplines/areas to your problem.
7. Consider changing topics as your career develops, to widen your skills and knowledge.

Understanding the hypothesis

1. A hypothesis is a short falsifiable statement, something you can clearly test.
2. Do not confuse it with an aim, objective or theory.
3. Usually, a hypothesis can’t be proved, no matter how many positive examples you generate, but it can receive our provisional support.
4. A hypothesis can be disproved/falsified! It only needs one counter-example.
5. Start with as bold and far-reaching a hypothesis as you can. Something that could be really useful if supported by the evidence.
6. As your initial hypothesis is disproved, refine it with alternatives which are more likely to be supported by the evidence.
7. Once you have learned how to form a hypothesis, in theory, you could move into any branch of science. It is the key in your pocket!

What characteristics should I have as a scientist and am I that person?

1. Curiosity
2. Imagination
3. Willingness to learn
4. Able to plan
5. Meticulous in their work
6. Persistent
7. Not afraid of hard work
8. Able to work alone
9. Happy to work in a team
10. Focused
11. A desire to communicate
12. Objectivity

What do we mean by science and ‘being a better scientist’?

1. You should view science as a method or way of thinking to address problems.
2. You are someone who is willing to propose a hypothesis.
3. You diligently gather evidence.
4. You give your support where the greatest weight of evidence lies.
5. You accept that some uncertainty remains.
6. You acknowledge that a conclusion is tentative.
7. You do not cherry pick from the data to argue your cause.

Demystifying hypothesis testing

 

Hypothesis testing in Machine learning

 

A categorization of optimization problems, based on different criteria

 

Optimization

Optimization is a scientific discipline that deals with the detection of optimal solutions for a problem, among alternatives. The optimality of solutions is based on one or several criteria that are usually problem- and user-dependent. Constraints can be posed by the user or the problem itself, thereby reducing the number of prospective solutions. If a solution fulfills all constraints, it is called a feasible solution.

Among all feasible solutions, the global optimization problem concerns the detection of the optimal one. However, this is not always possible or necessary. Indeed, there are cases where suboptimal solutions are acceptable, depending on their quality compared to the optimal one. This is usually described as local optimization, although the same term has been also used to describe local search in a strict vicinity of the search space.

A maturity model for microservice architecture goals and benefits

A microservice is an independently deployable component of bounded scope that supports interoperability through message-based communication. Microservice architecture is a style of engineering highly automated, evolvable software systems made up of capability-aligned microservices.

From these comments, it is clear that microservice applications share some important characteristics:

• Small in size
• Messaging enabled
• Bounded by contexts
• Autonomously developed
• Independently deployable
• Decentralized
• Built and released with automated processes

Microservices are ideal for big systems

The common theme among the problems that people were facing was related to size. This is significant because it highlights a particular characteristic of the microservices style—it is designed to solve problems for systems that are big. But

size is a relative measure, and it is difficult to quantify the difference between small, normal, and big. You could of course come up with some way of deciding what constitutes big versus small, perhaps using averages or heuristic measurements, but that would miss the point. What the architects at this gathering were concerned with was not a question of the size of the system. Instead, they were grappling with a situation in which the system was too big. What they identified is that systems that grow in size beyond the boundaries we initially define pose particular problems when it comes to changing them. In other words, new problems arise due to their scale.

Microservice architecture is goal-oriented

Something else we can derive from James’ recollection of the day is the focus on a goal rather than just a solution. Microservice architecture isn’t about identifying a specific collection of practices, rather it’s an acknowledgment that software professionals are trying to solve a similar goal using a particular approach. There may be a set of common characteristics that arise from this style of software development, but the focus is meant to be on solving the initial problem of systems that are too big.

Microservices are focused on replaceability

The revelation that microservices are really about replaceability is the most enlightening aspect of the story. This idea that driving toward replacement of components rather than maintaining existing components get to the very heart of what makes the microservices approach special.

Benefits

• Agility allows organizations to deliver new products, functions, and features more quickly and pivot more easily if needed.
• Composability reduces development time and provides a compound benefit through reusability over time.
• Comprehensibility of the software system simplifies development planning, increases accuracy, and allows new resources to come up to speed more quickly.
• Independent deployability of components gets new features into production more quickly and provides more flexible options for piloting and prototyping.
• Organizational alignment of services to teams reduces ramp-up time and encourages teams to build more complex products and features iteratively.
• Polyglotism permits the use of the right tools for the right task, thus accelerating technology introduction and increasing solution options.
• Greater efficiency in the software system reduces infrastructure costs and reduces the risk of capacity-related service outages.
• Independent manageability contributes to improved efficiency, and also reduces the need for scheduled downtime.
• Replaceability of components reduces the technical debt that can lead to aging, unreliable environments.
• Stronger resilience and higher availability ensure a good customer experience.
• Better runtime scalability allows the software system to grow or shrink with the business.
• Improved testability allows the business to mitigate implementation risks.

General predictive machine learning process

 

Unit-testing an object in isolation and Testing an object with mock objects

 

The Most Beautiful Code I Never Wrote

First, we need to define some terms. What is beautiful? I tried to solve that borrowing a definition from philosophy: esthetic which means the ideal form. But we can expand the concept to functional and non-functional requirements. Functional represents what the software does and non-functional how the software does. Thus, we can define beautiful code as a code that provides a homeostasis between functional and non-functional requirements.

An example breakdown of MTTR over four releases; testing takes much more time than anything else in the fix cycle

 

An excerpt from a CodeFlower generated from an extremely complex application

 

A CodeFlower of a clean, well-written codebase

 

X is what you want to answer; some combination of your data can get you there

 

Groups of systems used to deliver software and what they do

 

Software Qualities

Mostly external software qualities

Correctness: Adherence to stated objectives, aka requirements or specifications

Robustness: Resilience to incorrect inputs or adverse/unanticipated external conditions (such as the lack of some resource)

Usability: A measure of the effort needed to learn how to use software and to achieve its goals; ease of use

Efficiency: Adequate consumption of resources

Readability: Clarity, understandability by fellow programmers

Mostly internal software qualities

Readability: Clarity, understandability by fellow programmers

Reusability: Ease of reusing the code to solve similar problems, and amount of changes needed to do so—aka adaptability

Testability: The ability to write tests, and how easy it is to do so, that can trigger all relevant program behaviors and observe their effects

Maintainability: Ease of finding and fixing bugs, as well as evolving the software

Special qualities

Thread safety: The ability of a class to work seamlessly in a multithreaded environment

Succinctness: Writing the shortest possible program for a given task

Software qualities classified according to two dichotomies: internal versus external (horizontal axis) and functional versus nonfunctional (vertical axis).

 

Functional and nonfunctional requirements pull software in different directions. It’s your job to find a balance.

 

Applying the strategic patterns of Domain‐Driven Design to avoid A Lack of Organization - Big Bag of Mud (BBoM)

 

A blueprint of the problem space of DDD

 

1001 Livros para Ler Antes de Viver

•  Antes de 1800

• 0001. [c.850] As mil e uma noites – Anônimo
• 0002. [século X] O conto do cortador de bambu – Anônimo
• 0003. [c.973] O romance Genji – Murasaki Shikibu
• 0004. [c.1330] O romance dos três reinos – Luó Guànzhong
• 0005. [1370] Shuihu Zhuàn – Shi Nai´an e Loú Guànzhong
• 0006. [1469] O asno de ouro – Apuleio (Lucius Apuleius)
• 0007. [1490] Tirant lo Blanc – Joanot Martorell
• 0008. [1499] A Celestina – Fernando de Rojas
• 0009. [1508] Amadis de Gaula – Garci Rodríguez de Montalvo
• 0010. [1554] A vida de Lazarilho de Tormes – Anônimo
• 0011. [1532-1564] Gargântua e Pantagruel – François Rabelais
• 0012. [1572] Os Lusíadas – Luís Vaz de Camões
• 0013. [1592] Jornada ao Oeste – Wú Chéng’en
• 0014. [1594] Unfortunate Traveller – Thomas Nashe
• 0015. [1600] Thomas of Reading – Thomas Deloney
• 0016. [1605-1615] Dom Quixote – Miguel de Cervantes Saavedra
• 0017. [1617] Los Trabajos de Persiles y Sigismunda – Miguel de Cervantes Saavedra
• 0018. [1632] Historia verdadera de la conquista de la Nueva España – Bernal Díaz del Castillo
• 0019. [1668] O aventuroso Simplicissimus – Hans von Grimmelshausen
• 0020. [1678] A princesa de Clèves – Marie-Madeleine Pioche de Lavergne, condessa de La Fayette
• 0021. [1688] Oroonoko – Aphra Behn
• 0022. [1719] Robinson Crusoé – Daniel Defoe
• 0023. [1719] Love in Excess – Eliza Haywood
• 0024. [1722] Moll Flanders – Daniel Defoe
• 0025. [1726] As viagens de Gulliver – Jonathan Swift
• 0026. [1729] Modesta proposta – Jonathan Swift
• 0027. [1742] Joseph Andrews – Henry Fielding
• 0028. [nda] Memoirs of Martinus Scriblerus – J. Arbuthnot, J. Gay, T. Partnell, A. Pope e J. Swiftk
• 0029. [1742] Pamela – Samuel Richardson
• 0030. [1749] Clarissa – Samuel Richardson
• 0031. [1749] Tom Jones – Henry Fielding
• 0032. [1749] Fanny Hill – John Cleland
• 0033. [1751] Peregrine Pickle – Tobias George Amollett
• 0034. [1752] The Female Quixote – Charlotte Lennox
• 0035. [1759] Cândido – Voltaire
• 0036. [1759] A história de Rasselas – Samuel Johnson
• 0037. [1760] Júlia ou a nova Heloísa – Jean-Jacques Rousseau
• 0038. [1762] Emílio ou da educação – Jean-Jacques Rousseau
• 0039. [1765] O castelo de Otranto – Horace Walpole
• 0040. [1766] O vigário de Wakefield – Oliver Goldsmith
• 0041. [1759-1767] A vida e as opiniões do cavalheiro Tristam Shandy – Laurence Sterne
• 0042. [1768] Uma viagem sentimental – Laurence Sterne
• 0043. [1771] The Man of Feeling – Henry Mackenzie
• 0044. [1771] Humphry Clinker – Tobias George Smollett
• 0045. [1774] Os Sofrimentos do Jovem Werther – Johann Wolfgang von Goethe
• 0046. [1778] Evelina – Fanny Burney
• 0047. [1782] Os devaneios do caminhante solitário – Jean-Jacques Rousseau
• 0048. [1782] As ligações perigosas – Pierre Choderlos de Laclos
• 0049. [1782] Confissões – Jean-Jacques Rousseau
• 0050. [1785] Os 120 dias de Sodoma – Marquês de Sade
• 0051. [1785] Anton Reiser – Karl Philipp Moritz
• 0052. [1786] Vathek – William Beckford
• 0053. [1791] Justine ou os infortúnios da vistude – Marquês de Sade
• 0054. [1791] Hóng lóu mèng – Cao Xueqin
• 0055. [1794] The Adventures of Caleb Williams – William Godwin
• 0056. [1794] The Interesting Narrative – Olaudah Equiano
• 0057. [1794] The Mysteries of Udolpho – Ann Radcliffe
• 0058. [1795-1796] Os anos de aprendizado de Wilhelm Meister – Johann Wolfgang von Goethe
• 0059. [1796] The Monk – M. G. Lewis
• 0060. [1796] Camilla – Fanny Burney
• 0061. [1796] Jacques, o fatalista e seu amo – Denis Diderot
• 0062. [1796] A religiosa – Denis Diderot
• 0063. [1797] Hiperion – Friedrich Hölderlin

• Anos 1800

• 0064. [1800] Castle Rackrent – Maria Edgeworth
• 0065. [1802] Heinrich von Ofterdingen – Novalis
• 0066. [1805] O sobrinho de Rameau – Denis Diderot
• 0067. [1809] As afinidades eletivas – Johann Wolfgang von Goethe
• 0068. [1810] Michael Kohlhaas – Heinrich von Kleist
• 0069. [1811] Razão e sensibilidade – Jane Austen
• 0070. [1813] Orgulho e preconceito – Jane Austen
• 0071. [1814] Mansfield Park – Jane Austen
• 0072. [1816] Emma – Jane Austen
• 0073. [1817] Rob Roy – sir Walter Scott
• 0074. [1818] Frankenstein – Mary Wollstonecraft Shelley
• 0075. [1820] Ivanhoé – sir Walter Scott
• 0076. [1820] Melmoth, o viandante – Charles Robert Maturin
• 0077. [1820-1822] Lebennsansichten des Katers Murr – E.T.A. Hoffmann
• 0078. [1824] Memórias e confissões íntimas de um pecador justificado – James Hogg
• 0079. [1826] Aus dem Leben eines Taugenichts – Joseph von Eichendorff
• 0080. [1826] O último dos moicanos – James Fenimore Cooper
• 0081. [1827] Os noivos – Alessandro Manzoni
• 0082. [1831] O vermelho e o negro – Stendhal
• 0083. [1831] O corcunda de Notre-Dame – Victor Hugo
• 0084. [1833] Eugene Onegin – Alexander Pushkin
• 0085. [1834] Eugénie Grandet – Honoré de Balzac
• 0086. [1834-1835] Pai Goriot – Honoré de Balzac
• 0087. [1836] O nariz – Nikolai Gógol
• 0088. [1833] Oliver Twist – Charles Dickens
• 0089. [1938] De leeuw van Vlaanderen – Hendrik Conscience
• 0090. [1839] A cartuxa de Parma – Stendhal
• 0091. [1839] A queda da casa de Usher – Edgar Allan Poe
• 0092. [1839] Camera Obscura – Hildebrand
• 0093. [1840] O herói do nosso tempo – Mikhail Yurevich Lermontov
• 0094. [1842] Almas mortas – Nikolai Gógol
• 0095. [1843] Ilusões Perdidas – Honoré de Balzac
• 0096. [1843] O poço e o pêndulo – Edgar Allan Poe
• 0097. [1844] Os três mosqueteiros – Alexandre Dumas
• 0098. [1844] A moreninha – Joaquim Manoel de Macedo
• 0099. [1845] O charco do diabo – George Sand
• 0100. [1845-1846] O conde de Monte Cristo – Alexandre Dumas
• 0101. [1847] Jane Eyre – Charlotte Brontë
• 0102. [1847] Vanity Fair – William Makepeace Thackeray
• 0103. [1847] O morro dos ventos uivantes – Emily Brontë
• 0104. [1848] A morada de Wildfell Hall – Anne Brontë
• 0105. [1850] David Copperfield – Charles Dickens
• 0106. [1850] A letra escarlate – Nathaniel Hawthorne
• 0107. [1851] Moby Dick – Herman Melville
• 0108. [1851] A casa das sete torres – Nathaniel Hawthorne
• 0109. [1852] A cabana do Pai Tomás – Harriet Beecher Stowe
• 0110. [1853] Cranford – Elizabeth Gaskell
• 0111. [1853] A casa soturna – Charles Dickens
• 0112. [1854] Walden ou A vida nos bosques – Henry David Thoreau
• 0113. [1854-1855] Memórias de um sargento de milícias – Manuel Antônio de Almeida
• 0114. [1855] North and South – Elizabeth Gaskell
• 0115. [1857] Madame Bovary – Gustave Flaubert
• 0116. [1857] Der Nachsommer – Adalbert Stifter
• 0117. [1859] O triste noivado de Adam Bede – George Eliot
• 0118. [1859] Oblomov – Ivan Goncharov
• 0119. [1860] A mulher de branco – Wilkie Collins
• 0120. [1860] O moinho do rio Floss – George Eliot
• 0121. [1860] Max Havelaar – Multatuli
• 0122. [1861] Grandes esperanças – Charles Dickens
• 0123. [1861] Silas Marner – George Eliot
• 0124. [1862] Pais e filhos – Ivan Turguêniev
• 0125. [1862] Os miseráveis – Victor Hugo
• 0126. [1863] Os meninos aquáticos – Charles Kingsley
• 0127. [1864] Memórias do subsolo – Fiódor Dostoiévski
• 0128. [1864] Uncle Silas – Sheridan Le Fanu
• 0129. [1865] Alice no País das Maravilhas – Lewis Carroll
• 0130. [1866] Viagem ao centro da Terra – Júlio Verne
• 0131. [1866] Crime e castigo – Fiódor Dostoiévski
• 0132. [1865] Iracema – José de Alencar
• 0133. [1867] Thérèse Raquin – Émile Zola
• 0134. [1868] A pedra da lua – Wilke Collins
• 0135. [1868] Mulherzinhas – Louisa May Alcott
• 0136. [1868-1869] O idiota – Fiódor Dostoiévski
• 0137. [1868-1869] Os cantos de Maldoror – Comte de Lautréamont
• 0138. [1869] Phineas Finn – Anthony Trollope
• 0139. [1869] A educação sentimental – Gustave Flaubert
• 0140. [1869] Guerra e paz – Leon Tolstói
• 0141. [1870] Stepnoy korol Lir – Ivan Turguêniev
• 0142. [1871] Alice através do espelho – Lewis Carroll
• 0143. [1871-1872] Middlemarch: Um estudo da vida procinciana – George Eliot
• 0144. [1872] Águas da primavera – Ivan Turguêniev
• 0145. [1872] Erewhon – Samuel Butler
• 0146. [1872] Os demônios – Fiódor Dostoiévski
• 0147. [1872] In a Glass Darkly – Sheridan Le Fanu
• 0148. [1873] A volta ao mundo em 80 dias – Júlio Verne
• 0149. [1873] Ocharovanny strannik – Nicolai Leskov
• 0150. [1874] Longe da multidão – Thomas Hardy
• 0151. [1875] Senhora – José de Alencar
• 0152. [1876] O crime do Padre Amaro – José Maria Eça de Queirós
• 0153. [1877] A taberna – Émile Zola
• 0154. [1877] Anna Karenina – Leon Tolstói
• 0155. [1872-1879] Martín Fierro – José Hernandez
• 0156. [1880] Röda rummet – August Strindberg
• 0157. [1880] Ben-hur – Lew Wallace
• 0158. [1880] Nana – Émile Zola
• 0159. [1881] Retrato de uma senhora – Henry James
• 0160. [1881] Os Malavoglia – Giovanni Verga
• 0161. [1881] Memórias póstumas de Brás Cubas – Joaquim Maria Machado de Assis
• 0162. [1881] Bouvard e Pécuchet – Gustave Flaubert
• 0163. [1883] A ilha do tesouro – Robert Louis Stevenson
• 0164. [1883] Uma vida – Guy de Maupassant
• 0165. [1884] A morte de Ivan Ilitch – Leon Tolstói
• 0166. [1884] Às avessas – Joris-Karl Huysmans
• 0167. [1884-1885] La Regenta – Clarín Leopoldo Alas
• 0168. [1885] Bel-Ami – Guy de Maupassant
• 0169. [1885] Marius the Epicurean – Walter Pater
• 0170. [1885] As aventuras de Huckleberry Finn – Mark Twain
• 0171. [1885] Germinal – Émile Zola
• 0172. [1885] As minas do rei Salomão – H. Rider Haggard
• 0173. [1885] De kleine Johannes – Frederik van Eeden
• 0174. [1886] O estranho caso do Dr. Jekyll e do Sr. Hyde – Robert Louis Steverson
• 0175. [1886] Os paços de Ulloa – Emilia Pardo Bazán
• 0176. [1887] Gente de Hemsö – August Strindberg
• 0177. [1888] Pedro e João – Guy de Maupassant
• 0178. [1888] O Ateneu – Raul Pompéia
• 0179. [1888] Os Maias – José Maria Eça de Queirós
• 0180. [1889] Eline Vere – Louis Couperus
• 0181. [1890] Fome – Knut Hamsun
• 0182. [1890] O cortiço – Aluísio de Azevedo
• 0183. [1890] A besta humana – Émile Zola
• 0184. [1890] Thais – Anatole France
• 0185. [1890] A sonata a Kreutzer – Leon Tolstói
• 0186. [1891] O retrato de Dorian Gray – Oscar Wilde
• 0187. [1891] Quincas Borba – Joaquim Maria Machado de Assis
• 0188. [1891] Tess – Thomas Hardy
• 0189. [1891] A saga de Gösta Berling – Selma Lagerlöf
• 0190. [1891] New Grub Street – George Gissing
• 0191. [1891] Notícias de lugar nenhum – William Morris
• 0192. [1892] As aventuras de Sherlock Holmes – Sir Arthur Conan Doyle
• 0193. [1892] Diary of a Nobody – George Grossmith e Weedon Grossmith
• 0194. [1894] I Viceré – Federico De Roberto
• 0195. [1895] Judas – O obscuro – Thomas Hardy
• 0196. [1895] Effi Briest – Theodor Fontane
• 0197. [1895] A máquina do tempo – H. G. Wells
• 0198. [1896] A ilha do Doutor Moreau – H. G. Wells
• 0199. [1896] Quo Vadis? – Henryk Sienkiewicz
• 0200. [1897] Drácula – Bram Stoker
• 0201. [1897] Pelos olhos de Maisie – Henry James
• 0202. [1897] Misericordia – Benito Pérez Galdós
• 0203. [1897] Faraon – Boleslaw Prus
• 0204. [1897] Os frutos da terra – André Gide
• 0205. [1898] A guerra dos mundos – H. G. Wells
• 0206. [1898] Senilidade – Italo Svevo
• 0207. [1899] Dom Casmurro – Joaquim Maria Machado de Assis
• 0208. [1899] O despertar – Kate Chopin
• 0209. [1899] Der Stechlin – Theodor Fontane
• 0210. [1899] Egri csillagok – Géza Gárdonyi
• 0211. [1899] Some Experiences of an Irish R. M. – Somerville e Ross

• Anos 1900

• 0212. [1900] Os Tigres de Mompracem – Emilio Salgari
• 0213. [1901] A cidade e as serras – José Maria Eça de Queirós
• 0214. [1901] Lieutenant Gustl – Arthur Schnitzler
• 0215. [1901] Kim – Rudyard Kipling
• 0216. [1901] Os Buddenbrook – Thomas Mann
• 0217. [1902] O cão dos Baskerville – Sir Arthur Conan Doyle
• 0218. [1902] Coração das trevas – Joseph Conrad
• 0219. [1902] As asas da pomba – Henry James
• 0220. [1902] O imoralista – André Gide
• 0221. [1903] The Ambassadors – Henry James
• 0222. [1902] Os sertões – Euclides da Cunha
• 0223. [1903] Chamado selvagem – Jack London
• 0224. [1903] Memórias de um doente dos nervos – Daniel P. Schreber
• 0225. [1903] Destino da carne – Samuel Butler
• 0226. [1904] Hadrian the Seventh – Frederick Rolfe
• 0227. [1904] Nostromo – Joseph Conrad
• 0228. [1905] A casa da felicidade – Edith Wharton
• 0229. [1905] O anjo azul – Heinrich Mann
• 0230. [1905] Solitut – Víctor Català
• 0231. [1906] O jovem Törless – Robert Musil
• 0232. [1906] A família Forsyte – John Galsworthy
• 0233. [1906] The Jungle – Upton Sinclair
• 0234. [1907] O agente secreto – Joseph Conrad
• 0235. [1907] A mãe – Maksim Górki
• 0236. [1908] The House on the Borderland – William Hope Hodgson
• 0237. [1908] The Old Wives’Tale – Arnold Bennett
• 0238. [1908] Inferno – Henri Barbusse
• 0239. [1908] Um quarto com vista – E. M. Forster
• 0240. [1909] A porta estreita – André Gide
• 0241. [1910] Os cadernos de Malte Laurids Brigge – Rainer Maria Rilke
• 0242. [1910] Howards End – E. M. Forster
• 0243. [1910] Impressions d’Afrique – Raymond Roussel
• 0244. [1911] Fantômas – Marcel Allain e Pierre Souvestre
• 0245. [1911] Ethan Frome – Edith Wharton
• 0246. [1912] The Charwoman’s Daughter – James Stephens
• 0247. [1912] Morte em Veneza – Thomas Mann
• 0248. [1913] Filhos e amantes – D. H. Lawrence
• 0249. [1914] The Ragged Trousered Philanthropists – Robert Tressell
• 0250. [1914] Platero e eu – Juan Ramón Jiménez
• 0251. [1914] Tarzan – Edgar Rice Burroughs
• 0252. [1914] Locus Solus – Raymond Roussel
• 0253. [1914] Coração – Natsume Soseki
• 0254. [1915] Os 39 degraus – John Buchan
• 0255. [1915] O arco-íris – D. H. Lawrence
• 0256. [1915] Servidão humana – William Somerset Maugham
• 0257. [1915] O bom soldado – Ford Madox Ford
• 0258. [1915] Rashomon e outros contos – Akutagawa Ryunosuke
• 0259. [1915] Triste fim de Policarpo Quaresma – Lima Barreto
• 0260. [1916] Retrato do artista quando jovem – James Joyce
• 0261. [1916] Los de abajo – Mariano Azuela
• 0262. [1916] Ballíeter – Felix Timmermans
• 0263. [1916] A casa e o mundo – Rabindranath Tagore
• 0264. [1917] Os frutos da terra – Knut Hamsun
• 0265. [1918] The Return of the Soldier – Rebecca West
• 0266. [1918] Tarr – Wyndham Lewis
• 0267. [1920] In Stahlgewittern – Ernst Jünger
• 0268. [1920] Mulheres apaixonadas – D. H. Lawrence
• 0269. [1920] Rua principal – Sinclair Lewis
• 0270. [1921] A era da inocência – Edith Wharton
• 0271. [1921] Férias em Crome – Aldous Huxley
• 0272. [1921] História de Cristo – Giovanni Papini
• 0273. [1922] Ulisses – James Joyce
• 0274. [1922] Babbitt – Sinclair Lewis
• 0275. [1922] La Maison de Claudine – Colette
• 0276. [1922] Life and Death of Harriett Frean – May Sinclair
• 0277. [1922] Paduera spânzuratilor – Liviu Rebreanu
• 0278. [1922] Sidarta – Hermann Hesse
• 0279. [1922] The Enormous Room – e. e. cummings
• 0280. [1920-1922] Kristin Lavransdatter – Sigrid Undset
• 0281. [1922] Amok – Stefan Zweig
• 0282. [1923] Com o diabo no corpo – Raymond Radiguet
• 0283. [1923] A consciência de Zeno – Italo Svevo
• 0284. [1924] Uma passagem para a Índia – E. M. Forster
• 0285. [1924] My – Yevgeny Zamyatin
• 0286. [1924] A montanha mágica – Thomas Mann
• 0287. [1924] The Green Hat – Michael Arlen
• 0288. [1925] Haddis alem – Heruy Wäldä-Sellassé
• 0289. [1925] The Professor’s House – Willa Cather
• 0290. [1925] Delo Artamonovic – Maksim Górki
• 0291. [1925] O processo – Franz Kafla
• 0292. [1925] Os moedeiros falsos – André Gide
• 0293. [1925] O grande Gatsby – F. Scott Fitzgerald
• 0294. [1925] Mrs. Dalloway – Virginia Woolf
• 0295. [1925] Chaka – Thomas Mofolo
• 0296. [1925] The Making of Americans – Gertrude Stein
• 0297. [1926] O assassinato de Roger Ackroyd – Agatha Christie
• 0298. [1926] Um, nenhum e cem mil – Luigi Pirandello
• 0299. [1926] Sob o sol de Satã – Georges Bernanos
• 0300. [1926] Aventuras do bravo soldado Schweik – Jaroslav Hasek
• 0301. [1926] Alberte og Jakob – Cora Sandel
• 0302. [1926] O castelo – Franz Kafka
• 0303. [1926] Blindness – Henry Green
• 0304. [1926] O sol também se levanta – Ernest Hemingway
• 0305. [1927] O desaparecido ou Amerika – Franz Kafka
• 0306. [1927] Der Streit um den Sergeanten Gricha – Arnold Zweing
• 0307. [1927] Tarka the Otter – Henry Williamson
• 0308. [1927] Ao farol – Virginia Woolf
• 0309. [1913-1927] Em busca do tempo perdido – Marcel Proust
• 0310. [1927] O lobo da estepe – Hermann Hesse
• 0311. [1928] Nadja – André Breton
• 0312. [1928] Quicksand – Nella Larsen
• 0313. [1928] A bagaceira – José Américo de Almeida
• 0314. [1928] Há quem prefira urtigas – Junichiro Tanizaki
• 0315. [1928] Parade’s End – Ford Madox Ford
• 0316. [1928] O poço da solidão – Radclyffe Hall
• 0317. [1928] O amante de Lady Chatterley – D. H. Lawrence
• 0318. [1928] Orlando – Virginia Woolf
• 0319. [1928] História do olho – Georges Bataille
• 0320. [1928] Macunaíma – Mário de Andrade
• 0321. [1929] As crianças terríveis – Jean Cocteau
• 0322. [1929] Berlin Alexanderplatz – Alfred Döblin
• 0323. [1929] Nada de novo no front – Erich Maria Remarque
• 0324. [1929] Os indiferentes – Alberto Moravia
• 0325. [1929] Living – Henry Green
• 0326. [1929] I Thought os Daisy – Edmund Wilson
• 0327. [1929] Adeus às armas – Ernest Hemingway
• 0328. [1929] Passing – Nella Larsen
• 0329. [1929] Look Homeward, Angel – Thomas Wolfe
• 0330. [1930] O falcão maltês – Dashiell Hammett
• 0331. [1930] O quinze – Rachel de de Queiroz
• 0332. [1930] The Apes of God – Wyndham Lewis
• 0333. [1930] Monica – Saunders Lewis
• 0334. [1930] Nienasycenie – Stanislaw Ignacy Witkiewicz
• 0335. [1931] As ondas – Virginia Woolf
• 0336. [1931] Reinações de Narizinho – Monteiro Lobato
• 0337. [1932] O homem magro – Dashiell Hammett
• 0338. [1932] Viagem ao fim da noite – Louis-Ferdinand Céline
• 0339. [1932] Povratak Filipa Latinovicza – Miroslav Krleza
• 0340. [1932] A marcha de Radetzky – Joseph Roth
• 0341. [1932] O reino proibido – J. J. Slauerhoff
• 0342. [1932] Fazenda maldita – Stella Gibbons
• 0343. [1932] Admirável mundo novo – Aldous Huxley
• 0344. [1932] O nó de víboras – François Mauriac
• 0345. [1933] O homem sem qualidades – Robert Musil
• 0346. [1932] Menino de engenho – José Lins do Rego
• 0347. [1933] A condição humana – André Malraux
• 0348. [1933] Queijo – Willem Elsschot
• 0349. [1933] Serafim Ponte Grande – Oswald de Andrade
• 0350. [1933] A autobiografia de Alice B. Toklas – Gertrude Stein
• 0351. [1933] O crime exige propaganda – Dorothy L. Sayers
• 0352. [1933] Miss Lonelyhearts – Nathanael West
• 0353. [1934] Um fio de esperança – Henry Roth
• 0354. [1934] Lojas de canela – Bruno Schulz
• 0355. [1934] Obrigado, Jeeves – P. G. Wodehouse
• 0356. [1934] Suave é a noite – F. Scott Fitzgerald
• 0357. [1934] Trópico de Câncer – Henry Miller
• 0358. [1934] O destino bate à sua porta – James M. Cain
• 0359. [1934] Pe culmile disperarii – Emil Cioran
• 0360. [1934] Os sinos de Basileia – Louis Aragon
• 0361. [1934] The Nine Tailors – Dorothy L. Sayers
• 0362. [1935] Auto de fé – Elias Cnetti
• 0363. [1935] Mas não se matam cavalos? – Horace McCoy
• 0364. [1935] Os destinos do Sr. Norris – Christopher Isherwood
• 0365. [1935] Intocável – Mulk Raj Anand
• 0366. [1935] Gente independente – Halldór Laxness
• 0367. [1936] No bosque da noite – Djuna Barnes
• 0368. [1936] Nas montanhas da loucura – H. P. Lovecraft
• 0369. [1936] Absalão, Absalão! – William Faukner
• 0370. [1936] A guerra das salamandras – Karel Capek
• 0371. [1936] A flor da Ingraterra – George Orwell
• 0372. [1936] …E o vento levou – Margaret Mitchell
• 0373. [1936] The Thinking Reed – Rebecca West
• 0374. [1936] Sem olhos em Gaza – Aldous Huxley
• 0375. [1936] Summer Will Show – Sylvia Townsend Warner
• 0376. [1936] O homem do riquixá – Lao She
• 0377. [1937] A fazenda africana – Karen Blixen
• 0378. [1936] Angústia – Graciliano Ramos
• 0379. [1937] A coruja cega – Sadegh Hedayat
• 0380. [1937] Capitães de areia – Jorge Amado
• 0381. [1937] O hobbit – J. R. R. Tolkien
• 0382. [1937] Seus olhos viam Deus – Zora Neale Hurston
• 0383. [1937] Ratos e homens – John Steinbeck
• 0384. [1938] Murphy – Samuel Beckett
• 0385. [1938] U.S.A. – John Dos Passos
• 0386. [1938] O condenado – Graham Greene
• 0387. [1938] Nas malhas da espionagem – Eric Ambler
• 0388. [1938] Vidas secas – Graciliano Ramos
• 0389. [1938] Rebecca – Daphne du Maurier
• 0390. [1938] A náusea – Jean-Paul Sartre
• 0391. [1938] Miss Pettigrew Lives for a Day – Winifred Watson
• 0392. [1938] Na rubu pameti – Miroslav Krleza
• 0393. [1938] O sono eterno – Raymond Chandler
• 0394. [1939] Adeus a Berlim – Christopher Isherwood
• 0395. [1940] As vinhas da ira – John Steinbeck
• 0396. [1939] Bom dia, meia noite – Jean Rhys
• 0397. [1939] At Swim-Two-Birds – Frann O’Brien
• 0398. [1939] Finnegans Wake – James Joyce
• 0399. [1951] Filho nativo – Richard Wright
• 0400. [1940] O deserto dos Tártaros – Dino Buzzati
• 0401. [1962] O poder e a glória – Graham Greene
• 0402. [1940] Por quem os sinos dobram – Ernest Hemingway
• 0403. [1940] O homem que amava crianças – Christina Stead
• 0404. [1941] Grande e estranho é o mundo – Ciro Alegría
• 0405. [1941] The Living and the Dead – Patrick White
• 0406. [1942] Xadrez – Stefan Zweig
• 0407. [1941] Conversa na Sicília – Elio Vittorini
• 0408. [1942] O estrangeiro – Albert Camus
• 0409. [1942] As brasas – Sándor Márai
• 0410. [1943] Fogo morto – José Lins do Rego
• 0411. [1943] O jogo das contas de vidro – Hermann Hesse
• 0412. [1933-1943] José e seus irmãos – Thomas Mann
• 0413. [1943] O pequeno príncipe – Antoine de Sint-Exupéry
• 0414. [1944] Por um fio – Saul Bellow
• 0415. [1944] O fio da navalha – William Somerset Maugham
• 0416. [1944] Em trânsito – Anna Seghers
• 0417. [1945] Píppi Meialonga – Astrid Lindgren
• 0418. [1944] Ficções – Jorge Luis Borges
• 0419. [1945] A revolução dos bichos – George Orwell
• 0420. [1945] A ponte sobre o Drina – Ivo Andric
• 0421. [1945] Cristo parou em Éboli – Carlo Levi
• 0422. [1945] Arcano 17 – André Breton
• 0423. [1945] Memórias de Brideshead – Evelyn Waugh
• 0424. [1945] A crônica de Travnik – Ivo Andric
• 0425. [1945] Loving – Henry Green
• 0426. [1945] Nada – Carmen Laforet
• 0427. [1945] A morte de Virgílio – Hermann Broch
• 0428. [1946] Titus Groan – Mervyn Peake
• 0429. [1946] Zorba, o grego – Nikos Kazantzakis
• 0430. [1946] Back – Henry Green
• 0431. [1946] Sagarana – João Guimarães Rosa
• 0432. [1947] A trilha dos ninhos de aranha – Italo Calvino
• 0433. [1947] À sombra do vulcão – Malcolm Lowry
• 0434. [1947] É isto um homem? – Primo Levi
• 0435. [1947] Exercícios de estilo – Raymond Queneau
• 0436. [1947] A peste – Albert Camus
• 0437. [1947] Doutor Fausto – Thomas Mann
• 0438. [1947] O beco do pilão – Naguib Mahfouz
• 0439. [1947] A espuma dos dias – Boris Vian
• 0440. [1948] Viaje a la Alcarria – Camilo José Cela
• 0441. [1948] Cinzas e diamantes – Jerzy Andrzejewski
• 0442. [1948] A desobediência – Alberto Moravia
• 0443. [1948] All About H. Hatterr – G. V. Desani
• 0444. [1948] Chora, terra bem-amada – Alan Paton
• 0445. [1948] Bi-levav yamim – Shmuel Yosef Agnon
• 0446. [1948] Pozegnanie z Maria – Tadeusz Borowski
• 0447. [1948] Pena de morte – Maurice Blanchot
• 0448. [1949] 1984 – George Orwell
• 0449. [1949] O homem do braço de ouro – Nelson Algren
• 0450. [1949] O reino deste mundo – Alejo Carpentier
• 0451. [1949-1962] O tempo e o vento – Erico Verissimo
• 0452. [1949] Love in a Cold Climate – Nancy Mitford
• 0453. [1949] O caso do camarada Tulayev – Victor Serge
• 0454. [1950] The Garden Where the Brass Band Played – Simon Vestdijk
• 0455. [1950] Eu, robô – Isaac Asimov
• 0456. [1950] A canção da relva – Doris Lessing
• 0457. [1950] Uma cidade para o amor – Nevil Shute
• 0458. [1950] A lua e as fogueiras – Cesare Pavese
• 0459. [1950] Gormenghast – Mervyn Peake
• 0460. [1950] The 13 Clocks – James Thurber
• 0461. O labirinto da solidão – Octavio Paz
• 0462. [1950] O padre C – Georges Bataille
• 0463. [1950] Os inocentes – Hermann Broch
• 0464. [1950] Barrabás – Pär Lagerkvist
• 0465. [1951] Fim de caso – Graham Greene
• 0466. [1951] Molloy – Samuel Beckett
• 0467. [1951] O homem revoltado – Albert Camus
• 0468. [1951] O apanhador no campo de centeio – J. D. Salinger
• 0469. [1951] O litoral das sirtes – Julien Gracq
• 0470. [1951] Fundação – Isaac Asimov
• 0471. [1951] Malone morre – Samuel Beckett
• 0472. [1951] Day of the Triffids – John Wyndham
• 0473. [1951] Memórias de Adriano – Marguerite Yourcenar
• 0474. [1951] A colmeia – Camilo José Cela
• 0475. [1952] Sangue sábio – Flannery O’Connor
• 0476. [1952] O velho e o mar – Ernest Hemingway
• 0477. [1952] Homem invisível – Ralph Ellison
• 0478. [1952] O juiz e seu carrasco – Friedrich Dürrenmatt
• 0479. [1952] Excellent Women – Barbara Pym
• 0480. [1952] Mil tsurus – Yasunari Kawabata
• 0481. [1953] Go Tell It on the Mountain – James Baldwin
• 0482. [1953] Cassino Royale – Ian Fleming
• 0483. [1953] Junky – Drogado – William Burroughs
• 0484. [1953] Lucky Jim – Kingsley Amis
• 0485. [1953] Os passos perdidos – Alejo Carpentier
• 0486. [1953] Das Treibhaus – Wolfgang Koeppen
• 0487. [1953] O longo adeus – Raymond Chandler
• 0488. [1953] O mensageiro – L. P. Hartley
• 0489. [1953] O menino negro – Camara Laye
• 0490. [1954] Pomladni dan – Ciril Kosmac
• 0491. [1954] O desprezo – Alberto Moravia
• 0492. [1954] A história do O – Pauline Réage
• 0493. [1954] A sibila – Agustina Bessa-Luís
• 0494. [1954] O senhor das moscas – William Golding
• 0495. [1954] Os mandarins – Simone de Beauvoir
• 0496. [1954] Bom dia, tristeza – Françoise Sagan
• 0497. [1954] Tod in Rom – Wolfgang Koeppen
• 0498. [1954] Mar inquieto – Yukio Mishima
• 0499. [1954] Soldados desconhecidos – Väinö Linna
• 0500. [1954] Não sou Stiller – Max Frisch
• 0501. [1955] Meninos da vida – Pier Paolo Pasolini
• 0502. [1955] The Recognitions – William Gaddis
• 0503. [1955] Chão em chamas – Juan Rulfo
• 0504. [1955] O americano tranquilo – Graham Greene
• 0505. [1955] The Trusting and the Maimed – James Plunkett
• 0506. [1955] A árvore do homem – Patrick White
• 0507. [1955] A última tentação de Cristo – Nikos Kazantzákia
• 0508. [1955] Grande sertão: veredas – João Guimarães Rosa
• 0509. [1955] Lolita – Vladimir Nabokov
• 0510. [1955] O talentoso Ripley – Patricia Highsmith
• 0511. [1954-1955] O senhor dos anéis – J. R. R. Tolkien
• 0512. [1956] The Lonely Londoners – Sam Selvon
• 0513. [1956] As raízes do céu – Romain Gary
• 0514. [1956] A ópera flutuante – John Barth
• 0515. [1956] Giovanni – James Baldwin
• 0516. [1957] Justine – Lawrence Durrell
• 0517. [1956] O encontro marcado – Fernando Sabino
• 0518. [1957] Doutor Jivago – Boris Pasternak
• 0519. [1957] Pnin – Vladimir Nabokov
• 0520. [1957] Pé na estrada – Jack Kerouac
• 0521. [1957] Manillaköysi – Veijo Meri
• 0522. [1957] De ontaarde slapers – Ward Ruyslinck
• 0523. [1957] Homo Faber – Max Frisch
• 0524. [1957] O azul do céu – Georges Bataille
• 0525. [1957] A cidade dos amaldiçoados – JohnWyndham
• 0526. [1957] Voss – Patrick White
• 0527. [1957] O ciúme – Alain Robbe-Grillet
• 0528. [1957] Os pássaros – Tarjei Vesaas
• 0529. [1958] O rei que foi e um dia será – T. H. White
• 0530. [1958] O sino – Iris Murdoch
• 0531. [1958] Borstal Boy – Brendan Behan
• 0532. [1958] Gabriela, cravo e canela – Jorge Amado
• 0533. [1958] Sábado à noite, domingo de manhã – Alan Sillitoe
• 0534. [1958] O mundo se despedaça – Chinua Archebe
• 0535. [1958] The Bitter Glass – Eilís Dillion
• 0536. [1958] The Guide – R. K. Narayan
• 0537. [1958] O gattopardo – Giuseppe Tomasi di Lampedusa
• 0538. [1958] Os rios profundos – José Maria Arguedas
• 0539. [1958] Bonequinha de luxo – Truman Capote
• 0540. [1959] Crônica da casa assassinada – Lúcio Cardoso
• 0541. [1958] Bilhar às nove e meia – Heinrich Böll
• 0542. [1959] Aparição – Vergílio Ferreira
• 0543. [1959] Cider with Rosie – Laurie Lee
• 0544. [1959] O tambor – Günter Grass
• 0545. [1959] Almoço nu – William Burroughs
• 0546. [1959] Billy Liar – Keith Waterhouse
• 0547. [1959] Absolute Beginners – Colin Maclnnes
• 0548. [1960] Promessa ao amanhecer – Romain Gary
• 0549. [1960] Coelho corre – John Updike
• 0550. [1960] O sol é para todos – Harper Lee
• 0551. [1960] O mágico de Lublin – Isaac Bashevis Singer
• 0552. [1960] Halbzeit – Martin Walser
• 0553. [1960] The Country Girls – Edna O’Brien
• 0554. [1960] La ragazza di Bube – Carlo Cassola
• 0555. [1960] Les bouts de bois de Dieu – Ousmane Sembène
• 0556. [1961] O estaleiro – Juan Carlos Onetti
• 0557. [1961] Ardil 22 – Joseph Heller
• 0558. [1961] Solaris – Stanislaw Lem
• 0559. [1961] Gato e rato – Günter Grass
• 0560. [1961] A primavera da Srta. Jean Brodie – Muriel Spark
• 0561. [1961] A cabeça decepada – Iris Murdoch
• 0562. [1961] Franny e Zooey – J. D. Salinger
• 0563. [1961] Ninguém escreve ao coronel – Gabriel García Márquez
• 0564. [1961] Faces in the Water – Janet Frame
• 0565. [1961] Memorias dun neno labrego – Xosé Neira Vilas
• 0566. [1961] Um estranho numa terra estranha – Robert Heinlein
• 0567. [1962] A cidade e os cachorros – Mario Vargas Llosa
• 0568. [1962] O carnê dourado – Doris Lessing
• 0569. [1962] Tiempo de silencio – Luis Martín-Santos
• 0570. [1962] Fogo pálido – Vladimir Nabokov
• 0571. [1962] Laranja mecânica – Anthony Burgess
• 0572. [1962] Um estranho no ninho – Ken Kesey
• 0573. [1962] Girl with Green Eyes – Edna O’Brien
• 0574. [1962] A morte de Artemio Cruz – Carlos Fuentes
• 0575. [1963] A primeira noite de um homem – Charles Webb
• 0576. [1963] O jardim dos Finzi-Contini – Giorgio Bassani
• 0577. [1962] Um dia na vida de Ivan Denissovich – Aleksander Soljenítsin
• 0578. [1963] To trito stefani – Costas Taktsis
• 0579. [1963] Anos de cão – Günter Grass
• 0580. [1963] A redoma de vidro – Sylvia Plath
• 0581. [1963] Enderby por dentro – Anthony Burgess
• 0582. [1963] The Girls of Slender Means – Muriel Spark
• 0583. [1963] O espião que saiu do frio – John Le Carré
• 0584. [1963] A vingança de Manon – Marcel Pagnol
• 0585. [1964] O coronel e o lobisomem – José Cândido de Carvalho
• 0586. [1963] Cama de gato – Kurt Vonnegut Jr.
• 0587. [1963] V. – Thomas Pynchon
• 0588. [1964] Herzog – Saul Bellow
• 0589. [1964] O deslumbramento – Marguerite Duras
• 0590. [1964] A flecha de Deus – Chinua Achebe
• 0591. [1964] Três tristes tigres – Guillermo Cabrera Infante
• 0592. [1964] Sometimes a Great Notion – Ken Kesey
• 0593. [1964] A paixão segundo G. H. – Clarice Lispector
• 0594. [1965] Terug naar Oegstgeest – Jan Wolkers
• 0595. [1965] Comboios rigorosamente vigiados – Bohumil Hrabal
• 0596. [1965] The River Between – Ngugi wa Thiong’o
• 0597. [1965] Jardim, cinzas – Danilo Kis
• 0598. [1965] Tudo que sobe deve convergir – Flannery O’Connor
• 0599. [1965] As coisas – Georges Perec
• 0600. [1966] A sangue-frio – Truman Capote
• 0601. [1966] Dervis i smrt – Mesa Selimovic
• 0602. [1966] O silêncio – Shusaku Endo
• 0603. [1966] A cada um o seu – Leonardo Sciascia
• 0604. [1966] O leilão do lote 49 – Thomas Pynchon
• 0605. [1966] Giles Goat-Boy – John Barth
• 0606. [1966] Señas de identidad – Juan Goytisolo
• 0607. [1966] O vice-cônsul – Marguerite Duras
• 0608. [1966] O mago – John Fowles
• 0609. [1967] O Mestre e Margarida – Mikhail Bulgakov
• 0610. [1967] Ópera dos mortos – Autran Dourado
• 0611. [1967] O terceiro tira – Flann O’Brien
• 0612. [1967] Miramar – Naguib Mahfouz
• 0613. [1967] Z – Vassilis Vassilikos
• 0614. [1967] Quarup – Antonio Callado
• 0615. [1967] O solar – Isaac Bashevis Singer
• 0616. [1967] Cem anos de solidão – Gabriel García Márquez
• 0617. [1967] No Laughing Matter – Angus Wilson
• 0618. [1967] Un animal doué de raison – Robert Merle
• 0619. [1968] O teste do ácido do refresco elétrico – Tom Wolfe
• 0620. [1968] Eva Trout – Elizabeth Bowen
• 0621. [1968] Sobor – Oles Honchar
• 0622. [1968] A Kestrel for a Knave – Barry Hines
• 0623. [1964] Bolor – Augusto Abelaira
• 0624. [1968] Deutschstunde – Siegfried Lenz
• 0625. [1968] Em busca de Christa T. – Christa Wolf
• 0626. [1968] O caçador de androides – Philip K. Dick
• 0627. [1968] 2001: uma odisseia no espaço – Arthur C. Clarke
• 0628. [1968] Bela do senhor – Albert Cohen
• 0629. [1968] Pavilhão de cancerosos – Aleksandr Soljenítsin
• 0630. [1968] Myra Breckinridge – Gore Vidal
• 0631. [1968] O primeiro círculo – Aleksandr Soljenítsin
• 0632. [1969] La Disparition – Georges Perec
• 0633. [1969] eles – Joyce Carol Oates
• 0634. [1969] Ada ou Ardor – Vladimir Nabokov
• 0635. [1969] O poderoso chefão – Mario Puzo
• 0636. [1969] O complexo de Portnoy – Philip Roth
• 0637. [1969] Jakob, o mentiroso – Jurek Becker
• 0638. [1969] A mulher do tenente francês – John Fowles
• 0639. [1969] Matadouro 5 – Kurt Vonnegut Jr.
• 0640. [1969] O Harlem é escuro – Chester Himes
• 0641. [1969] Pricksongs and Descants – Robert Coover
• 0642. [1969] Tenda dos milagres – Jorge Amado
• 0643. [1969] A látogató – György Konrád
• 0644. [1969] Moskva-Petushki – Venedikt Yerofeev
• 0645. [1969] Boquinhas pintadas – Manuel Puig
• 0646. [1969] Tempo de migrar para o norte – Tayeb Salih
• 0647. [1969] Hastano verte, Jesús mío – Elena Poniatowska
• 0648. [1970] O quinto personagem – Robertson Davies
• 0649. [1970] Play It As It Lays – Joan Didion
• 0650. [1970] Jahrestage – Uwe Johnson
• 0651. [1970] Um mundo para Julius – Alfredo Bryce Echenique
• 0652. [1970] Eu sei por que o pássaro canta na gaiola – Maya Angelou
• 0653. [1970] O olhos mais azul – Toni Morrison
• 0654. [1965-1970] O mar da fertilidade – Yukio Mishima
• 0655. [1971] Coelho em crise – John Updike
• 0656. [1971] A pedra do reino – Ariano Suassuna
• 0657. [1971] Gruppenbild mit Dame – HeinrichBöll
• 0658. [1971] Medo e delírio em Las Vegas – Hunter S. Thompson
• 0659. [1971] O livro de Daniel – E. L. Doctorow
• 0660. [1971] Lives of Girls & Women – Alice Munro
• 0661. [1971] Sargento Getúlio – João Ubaldo Ribeiro
• 0662. [1972] Os colegas – Lygia Bojunga
• 0663. [1972] O lago sagrado – Margaret Atwood
• 0664. [1972] G – John Berger
• 0665. [1972] Sommarboken – Tove Jansson
• 0666. [1972] Kôkotsu no hito – Sawako Ariyoshi
• 0667. [1972] A filha do otimista – Eudora Welty
• 0668. [1972] As cidades invisíveis – Italo Calvino
• 0669. [1973] O arco-íris da gravidade – Thomas Pynchon
• 0670. [1973] O cônsul honorário – Graham Greene
• 0671. [1973] Crash – J. G. Ballard
• 0672. [1973] O castelo dos destinos cruzados – Italo Calvino
• 0673. [1973] O cerco de Krishnapur – J. G. Farrell
• 0674. [1973] O caso Morel – Rubem Fonseca
• 0675. [1973] Medo de voar – Erica Jong
• 0676. [1973] As meninas – Lygia Fagundes Telles
• 0677. [1974] Os despossuídos – Ursula K. Le Guin
• 0678. [1974] A honra perdida de Katharina Blum – Heinrich Böll
• 0679. [1974] Terras de sombras – J. M. Coetzee
• 0680. [1974] The Fan Man – William Kotzwinkle
• 0681. [1974] Luka – Antun Soljan
• 0682. [1975] Ragtime – E. L. Doctorow
• 0683. [1975] The Commandant – Jessica Anderson
• 0684. [1975] Jäniksen vousi – Arto Paasilinna
• 0685. [1975] O legado de Humboldt – Saul Bellow
• 0686. [1975] Lavoura arcaica – Raduan Nassar
• 0687. [1975] Willard and His Bowling Trophies – Richard Brautigan
• 0688. [1975] Sem destino – Imre Kertész
• 0689. [1975] The Dead Father – Donald Barthelme
• 0690. [1974] Zero – Ignácio de Loyola Brandão
• 0691. [1951-1975] A Dance to the Music of Time – Anthony Powell
• 0692. [1975] W, ou A memória da infância – Georges Perec
• 0693. [1975] O outono do patriarca – Gabriel Garcia Márquez
• 0694. [1976] Kindheitsmuster – Christa Wolf
• 0695. [1976] Blaming – Elizabeth Taylor
• 0696. [1976] Cutter and Bone – Newton Thornburg
• 0697. [1976] Entrevista com o vampiro – Anne Rice
• 0698. [1976] A mulher canhota – Peter Handke
• 0699. [1976] O beijo da mulher aranha – Manuel Puig
• 0700. [1976] Azul quase transparente – Ryu Murakami
• 0701. [1977] No coração do país – J. M. Coetzee
• 0702. [1977] O engenheiro de almas – Josef Skorecky
• 0703. [1977] Quarteto no outono – Barbara Pym
• 0704. [1977] A hora da estrela – Clarice Lispector
• 0705. [1977] A canção de Solomon – Toni Morrison
• 0706. [1977] The Wars – Timothy Findley
• 0707. [1977] Despachos do front – Michael Herr
• 0708. [1977] O Iluminado – Stephen King
• 0709. [1977] Delta de Vênus – Anaïs Nin
• 0710. [1978] Who Do You Think You Are? – Alice Munro
• 0711. [1978] Réquiem por um sonho – Hubert Selby Jr.
• 0712. [1978] The Singapore Grip – J. G. Farrell
• 0713. [1978] O mar, o mar – Iris Murdoch
• 0714. [1978] A vida: modo de usar – Georges Perec
• 0715. [1978] El cuarto de atrás – Carmen Martín Gaite
• 0716. [1978] The Virgin in the Garden – A. S. Byatt
• 0717. [1978] O jardim de cimento – Ian McEwan
• 0718. [1979] O guia do mochileiro das galáxias – Douglas Adams
• 0719. [1979] Se um viajante numa noite de inverno – Italo Calvino
• 0720. [1979] Une si longue lettre – Mariama Bâ
• 0721. [1979] A filha de Burger – Nadine Gordimer
• 0722. [1979] Uma curva no rio – V. S. Naipaul
• 0723. [1979] Uma estação branca e seca – André Brink
• 0724. [1979] O livro do riso e do esquecimento – Milan Kundera
• 0725. [1979] Os cus de Judas – António Lobo Antunes
• 0726. [1979] A vingança de Smiley – John Le Carré
• 0727. [1979] Os mares do sul – ManuelVásquez Montalbán
• 0728. [1980] O nome da rosa – Umberto Eco
• 0729. [1980] A luz brilhante do dia – Anita Desai
• 0730. [1980] Uma confraria de tolos – John Kennedy Toole
• 0731. [1980] Rituais – Cees Nooteboom
• 0732. [1980] Geur der droefenis – Alfred Kossmann
• 0733. [1980] Abril despedaçado – Ismail Kadaré
• 0734. [1980] Os filhos da meia-noite – Salman Rushdie
• 0735. [1980] À espera dos bárbaros – J. M. Coetzee
• 0736. [1980] O centauro no jardim – Moacyr Scliar
• 0737. [1981] Huset med den blinde glassveranda – Herbjorg Wassmo
• 0738. [1981] Chenzhong de chibang – Zhang Jie
• 0739. [1981] A guerra do fim do mundo – Mario Vargas Llosa
• 0740. [1981] Lanark – Alasdair Gray
• 0741. [1981] O Coelho está rico – John Updike
• 0742. [1981] Paare, Passanten – Botho Strauss
• 0743. [1981] O pessoal de July – Nadine Gordimer
• 0744. [1982] Colina negra – Bruce Chatwin
• 0745. [1982] A casa dos espíritos – Isabel Allende
• 0746. [1982] A lista de Schindler – Thomas Keneally
• 0747. [1982] Uma pálida visão dos montes – Kazuo Ishiguro
• 0748. [1982] O sobrinho de Wittgenstein – Thomas Bernhard
• 0749. [1982] A cor púrpura – Alice Walker
• 0750. [1982] Um jovem americano – Edmund White
• 0751. [1982] Se não agora, quando? – Primo Levi
• 0752. [1982] O livro do desassossego – Fernando Pessoa
• 0753. [1982] Memorial do convento – José Saramago
• 0754. [1983] A grande arte – José Rubem Fonseca
• 0755. [1983] Die Klavierspielerin – Elfriede Jelinek
• 0756. [1983] Vida e época de Michael K – J. M. Coetzee
• 0757. [1983] Terra d’agua – Graham Swift
• 0758. [1983] Joe LaBrava – Elmore Leonard
• 0759. [1983] Oratório de Natal – Göran Tunström
• 0760. [1983] Fado alexandrino – António Lobo Antunes
• 0761. [1983] O enteado – Juan José Saer
• 0762. [1983] Vergonha – Salman Rushdie
• 0763. [1984] Grana – Martin Amis
• 0764. [1984] O papagaio de Flaubert – Julian Barnes
• 0765. [1984] Viva o povo brasileiro – João Ubaldo Ribeiro
• 0766. [1984] Blood and Guts in High School – Kathy Acker
• 0767. [1984] Larva: Babel de una noche de San Juan – Julián Ríos
• 0768. [1984] Noites no circo – Angela Carter
• 0769. [1984] Neuromancer – William Gibson
• 0770. [1984] The Wasp Factory – Iain Banks
• 0771. [1984] Democracia – Joan Didion
• 0772. [1984] O amante – Marguerite Duras
• 0773. [1984] O ano da morte de Ricardo Reis – José Saramago
• 0774. [1984] O império do sol – J. G. Ballard
• 0775. [1984] The Busconductor Hines – James Kelman
• 0776. [1984] O dicionário Kazar – Milorad Pavic
• 0777. [1984] A insustentável leveza do ser – Milan Kundera
• 0778. [1984] Legend – David Gemmell
• 0779. [1984] Um homem jovem – Botho Strauss
• 0780. [1984] Feitiço de amor – Louise Erdrich
• 0781. [1985] Ruído branco – Don DeLillo
• 0782. [1985] Nanren de yiban shi nüren – Zhang Xianliang
• 0783. [1985] Reasons to Live – Amy Hempel
• 0784. [1985] O conto da aia – Margaret Atwood
• 0785. [1985] Duplo diabólico – Peter Ackroyd
• 0786. [1985] O Perfume – Patrick Süskind
• 0787. [1985] Meridiano de sangue – Cormac McCarthy
• 0788. [1985] Contato – Carl Sagan
• 0789. [1985] Simon ach ekarna – Marianne Fredriksson
• 0790. [1985] As regras da Casa de Sidra – John Irving
• 0791. [1985] Annie John – Jamaica Kincaid
• 0792. [1985] Der Blindensturz – Gert Hofmann
• 0793. [1985] O amor nos tempos do cólera – Gabriel Garcia Márquez
• 0794. [1986] Toorberg – Etienne van Heerden
• 0795. [1986] A bela senhora Seidenman – Andrzej Szczypiorski
• 0796. [1986] Os afogados e os sobreviventes – Primo Levi
• 0797. [1986] Watchmen – Alan Moore e Dave Gibbons
• 0798. [1986] Extinção – Thomas Bernhard
• 0799. [1986] Um artista do mundo flutuante – Kazuo Ishiguro
• 0800. [1982-1986] Memórias de fogo – Eduardo Galeano
• 0801. [1986] The Old Devils – Kingsley Amis
• 0802. [1986] Matigari – Ngugi Wa Thiong’o
• 0803. [1986] Anagrams – Lorrie Moore
• 0804. [1986] Linguagem perdida – David Leavitt
• 0805. [1986] Taebaek sanmaek – Jo Jung-rae
• 0806. [1987] Balada za Georg Henih – Viktor Paskov
• 0807. [1987] O enigma da chegada – V. S. Naipaul
• 0808. [1987] World’s End – T. Coraghessan Boyle
• 0809. [1987] A pomba – Patrick Süskind
• 0810. [1987] De amor e de sombra – Isabel Allende
• 0811. [1987] Amada – Toni Morrison
• 0812. [1987] Todas as almas – Javier Marías
• 0813. [1987] A trilogia de Nova York – Paul Auster
• 0814. [1987] A caixa-preta – Amós Oz
• 0815. [1987] A fogueira das vaidades – Tom Wolfe
• 0816. [1987] Dália negra – James Ellroy
• 0817. [1987] A tarde de um escritor – Peter Handke
• 0818. [1987] A trilha luminosa – Margaret Drabble
• 0819. [1987] Kitchen – Banana Yoshimoto
• 0820. [1987] Agência de detetives holística -Douglas Adams
• 0821. [1987] Cigarettes – Harry Mathews
• 0822. [1988] Nervous Conditions – Tsitsi Dangarembga
• 0823. [1988] Le premier jardin – Anne Hébert
• 0824. [1988] O último mundo – Christoph Ransmayr
• 0825. [1988] Oscar e Lucinda – Peter Carey
• 0826. [1988] A biblioteca da piscina – Alan Hollinghurst
• 0827. [1988] Os versos satânicos – Salman Rushdie
• 0828. [1988] Wittgenstein’s Mistress – David Markson
• 0829. [1988] Nhung thiên doung mù – Doung Thu Huong
• 0830. [1988] O pêndulo de Foucault – Umberto Eco
• 0831. [1989] Gimmick! – Joost Zwagerman
• 0832. [1989] Obabakoak – Bernardo Atxaga
• 0833. [1989] Inland – Gerald Murnane
• 0834. [1989] O filho de Deus vai à guerra – John Irving
• 0835. [1989] Como água para chocolate – Laura Esquivel
• 0836. [1989] História cerco de Lisboa – José Saramago
• 0837. [1989] The Trick Is to Keep Breathing – Janice Galloway
• 0838. [1989] The Great Indian Novel – Shashi Tharoor
• 0839. [1989] Az ellenállás menakóliája – László Krasznahorkai
• 0740. [1989] Os resíduos do dia – Kazuo Ishiguro
• 0841. [1989] Campos de Londres – Martin Amis
• 0842. [1989] O palácio da lua – Paul Auster
• 0843. [1989] Sexing the Cherry – Jeanette Winterson
• 0844. [1990] Como a vida – Lorrie Moore
• 0845. [1990] O Buda do subúrbio – Hanif Kureishi
• 0846. [1990] The Shadow Lines – Amitav Ghosh
• 0847. [1990] The Midnight Examiner – William Kotzwinkle
• 0848. [1990] The Things They Carried – Tim O’Brien
• 0849. [1990] A música do acaso – Paul Auster
• 0850. [1990] O enigma da pedra – Lim Dodge
• 0851. [1990] Amongst Women – John McGahern
• 0852. [1990] Um golpe de sorte – Elmore Leonard
• 0853. [1990] Vertigem – W. G. Sebald
• 0854. [1991] O evangelho segundo Jesus Cristo – José Saramago
• 0855. [1991] O psicopata americano – Bret Easton Ellis
• 0856. [1991] As leis – Connie Palmen
• 0857. [1991] Assassinos sem rosto – Henning Mankell
• 0858. [1991] Astradeni – Eugenia Fakinou
• 0859. [1991] Regeneration – Pat Barker
• 0860. [1991] Typical – Padgett Powell
• 0861. [1991] Mao II – Don DeLillo
• 0862. [1991] Cisnes selvagens: três filhas da China – Jung Chang
• 0863. [1992] Arcadia – Jim Crace
• 0864. [1992] Hideous Kinky – Esther Freud
• 0865. [1992] Memoirs of Rain – Sunetra Gupta
• 0866. [1992] Asphodel – H. D.
• 0867. [1992] Nó na garganta – Patrick McCabe
• 0868. [1992] Senhorita Smilla e o sentido da neve – Peter Hoeg
• 0869. [1992] O clube Dumas – Arturo Pérez-Reverte
• 0870. [1992] Inscrito no corpo – Jeanette Winterson
• 0871. [1992] The Crow Road – Iain Banks
• 0872. [1992] Indigo – Marina Warner
• 0873. [1992] O paciente inglês – Michael Ondaatje
• 0874. [1992] Possessing the Secret of Joy – Alice Walker
• 0875. [1992] Todos os belos cavalos – Cormac McCarthy
• 0876. [1992] The Triple Mirror of the Self – Zulfikar Ghose
• 0877. [1992] Tio Petros e a conjetura de Goldbach – Apostolos Doxiadis
• 0878. [1992] De Ontdekking van de Hemel – Harry Mulisch
• 0879. [1992] Leben ist eine Karawanserai – Emine Sevgi Özdamar
• 0880. [1992] Antes que anoiteça – Reinaldo Arenas
• 0881. [1992] A história secreta – Donna Tartt
• 0882. [1993] Empresas y tribulaciones de Maqroll el Gaviero – Álvaro Mutis
• 0883. [1993] Lembrando Babilônia – David Malouf
• 0884. [1993] The Holder of the World – Bharati Mukherjee
• 0885. [1993] As virgens suicidas – Jeffrey Eugenides
• 0886. [1993] Os diários de pedra – Carol Shields
• 0887. [1993] Um bom partido – Vikram Seth
• 0888. [1993] O legado da família Winshaw – Jonathan Coe
• 0889. [1993] Ensaios de amor – Alain de Button
• 0890. [1993] De tweeling – Tessa de Loo
• 0891. [1993] Looking for the Possible Dance – A. L. Kennedy
• 0892. [1993] O canto do pássaro – Sebastian Faulks
• 0893. [1993] Chegadas e partidas – E. Annie Proulx
• 0894. [1993] Cekani Na Tmu, Cekani Na Svetlo – Ivan Klima
• 0895. [1993] Die Entdeckung der Currywurst – Uwe Timm
• 0896. [1993] Disappearance – David Dabydeen
• 0897. [1993] Rio profundo – Shusaku Endo
• 0898. [1994] Felicia’s Journey – William Trevor
• 0899. [1994] O bandolim de Corelli – Louis de Bernières
• 0900. [1994] How LateIt Was, How Late – James Kelman
• 0901. [1994] Sestra – Jáchym Topol
• 0902. [1994] Afirma Pereira: um testemunho – Antonio Tabucchi
• 0903. [1994] Nejimaki-dori kuronikuru – Haruki Murakami
• 0904. [1994] A virgem dos sicários – Fernando Vallejo
• 0905. [1969-1994] Toji – ParkKyong-ni
• 0906. [1994] Extensão do domínio da luta – Michel Houellebecq
• 0907. [1995] Quase memória – Carlos Heitor Cony
• 0908. [1995] A hora da morte – Petros Markaris
• 0909. [1995] The End of the Story – Lydia Davis
• 0910. [1995] Love’s Work – Gillian Rose
• 0911. [1995] Um delicado equilíbrio – Rohinton Mistry
• 0912. [1995] O leitor – Bernhard Schlink
• 0913. [1995] Santa Evita – Tomás Eloy Martínez
• 0914. [1995] Morvern Callar – Alan Warner
• 0915. [1995] O desconsolado – Kazuo Ishiguro
• 0916. [1996] Vulgo Grace – Margaret Atwood
• 0917. [1996] A metralhadora de argila – Victor Pelevin
• 0918. [1996] Infinite Jest – David Foster Wallace
• 0919. [1996] Forever a Stranger – Hella Haasse
• 0920. [1996] The Ghost Road – Pat Barker
• 0921. [1996] Peças em fuga – Anne Michaels
• 0922. [1996] Alucinando Foucault – Patricia Duncker
• 0923. [1996] Una comedia ligera – Eduardo Mendoza
• 0924. [1996] De joelhos – Ann-Marie MacDonald
• 0925. [1996] Seda – Alessandro Baricco
• 0926. [1997] O deus das pequenas coisas – Arundhati Roy
• 0927. [1997] Margot en de engelen – Kristien Hemmerechts
• 0928. [1997] A vida dos insetos – Victor Pelevin
• 0929. [1997] Dinheiro queimado – Ricardo Piglia
• 0930. [1997] Jack Maggs – Peter Carey
• 0931. [1997] Submundo – Don DeLillo
• 0932. [1997] Amor para sempre – Ian McEwan
• 0933. [1998] Kurosufaia – Miyabe Miyuki
• 0934. [1998] A Bíblia envenenada – Barbara Kingsolver
• 0935. [1998] Veronika decide morrer – Paulo Coelho
• 0936. [1998] As horas – Michael Cunningham
• 0937. [1998] Dia de finados – Cees Nooteboom
• 0938. [1998] El hereje – Miguel Delibes
• 0939. [1998] Partículas elementares – Michel Houellebecq
• 0940. [1998] The Talk of the Town – Ardal O’Hanlon
• 0941. [1998] Trilogia suja de Havana – Pedro Juan Gutiérrez
• 0942. [1998] Os detetives selvagens – Roberto Bolaño
• 0943. [1999] Desonra – J. M. Coetzee
• 0944. [1999] Kao da me nema – Slavenka Drakulic
• 0945. [1999] Pawels Briefe – Monika Maron
• 0946. [1999] Em busca de Klingsor – Jorge Volpi
• 0947. [1999] Muzej bezuvjetne predaje – Dubravka Ugresic
• 0948. [1999] Medo e submissão – Amélie Nothomb

• Anos 2000

• 0949. [2000] Bartleby & companhia – Enrique Vila-Matas
• 0950. [2000] Harmonia caelestis – Péter Esterházy
• 0951. [2000] Sob a pele – Michel Faber
• 0952. [2000] A marca humana – Philip Roth
• 0953. [2000] Dentes brancos – Zadie Smith
• 0954. [2000] As frias flores de abril – Ismail Kadaré
• 0955. [2000] Dois irmãos – Milton Hatoum
• 0956. [2000] A festa do bode – Mario Vargas Llosa
• 0957. [2001] Não tenho medo – NiccolòAmmaniti
• 0958. [2001] Reparação – Ian McEwan
• 0959. [2001] Soldados de Salamina – Javier Cercas
• 0960. [2001] Austerlitz – W. G. Sebald
• 0961. [2001] A vida de Pi – Yann Martel
• 0962. [2001] As correções – Jonathan Franzen
• 0963. [2001] Plataforma – Michel Houellebecq
• 0964. [2002] Neve – Orhan Pamuk
• 0965. [2002] E o Bruno? – Aleksandar Hemon
• 0966. [2002] Tudo se ilumina – Jonathan Safran Foer
• 0967. [2002] Kafka à beira-mar – Haruki Murakami
• 0968. [2003] O xará – Jhumpa Lahiri
• 0969. [2003] Vernon God Little – DBC Pierre
• 0970. [2002] Um rio chamado tempo, uma casa chamada terra – Mia Couto
• 0971. [2003] Budapeste – Chico Buarque
• 0972. [2003] O que eu amava – Siri Hustvedt
• 0973. [2003] De amor e trevas – Amós Oz
• 0974. [2002-2004] Seu rosto amanhã – Javier Marías
• 0975. [2004] Cloud Atlas – David Mitchell
• 0976. [2002] Nove noites – Bernardo Carvalho
• 0977. [2003] Equador – Miguel Sousa Tavares
• 0978. [2004] O mestre – Colm Tóibín
• 0979. [2004] Boken om Blanche och Marie – Per Olov Enquist
• 0980. [2004] 2666 – Roberto Bolaño
• 0981. [2004] A linha da beleza – Alan Hollinghurst
• 0982. [2005] Por acaso – Ali Smith
• 0983. [2005] Mother’s Milk – Edward St. Aubyn
• 0984. [2005] A medida do mundo – Daniel Kehlmann
• 0985. [2005] O mar – John Banville
• 0986. [2006] A elegância do ouriço – Muriel Barbery
• 0987. [2006] Leva-me contigo – M. J. Hyland
• 0988. [2006] Against the Day – Thomas Pynchon
• 0989. [2006] O legado da perda – Kiran Desai
• 0990. [2007] O filho eterno – Cristovão Tezza
• 0991. [2007] Homem em queda – Don DeLillo
• 0992. [2007] A fantástica vida breve de Oscar Wao – Junot Díaz
• 0993. [2007] A mulher do meio-dia – Julia Franck
• 0994. [2007] O encontro – Anne Enright
• 0995. [2008] Kieron Smith, Boy – James Kelman
• 0996. [2008] Em casa – Marilynne Robinson
• 0997. [2008] O tigre branco – Aravind Adiga
• 0998. [2008] Cost – Roxana Robinson
• 0999. [2009] American Rust – Philipp Meyer
• 1000. [2009] Invisível – Paul Auster
• 1001. [2009] The Children’s Book – A. S. Byatt

Bias-variance decomposition

 

General approach for building a classification model

 

Different attribute types

 

Fifth conference participants, 1927. Institute International de Physique Solvay in Leopold Park.

A. Piccard, E. Henriot, P. Ehrenfest, E. Herzen, Th. de Donder, E. Schrödinger, J. E. Verschaffelt, W. Pauli, W. Heisenberg, R. H. Fowler, L. Brillouin;

P. Debye, M. Knudsen, W.L. Bragg, H. A. Kramers, P. A. M. Dirac, A. H. Compton, L. de Broglie, M. Born, N. Bohr;

I. Langmuir, M. Planck, M. Curie, H.A . Lorentz, A. Einstein, P. Langevin, Ch.-E. Guye, C. T. R. Wilson, O. W. Richardson

 

How all the patterns fit and flow together

 

Snippet of a Sankey showing principles, practices, and tools

 

Core/Innovation Wave

 

Your Futures Funnel looks just like this before you add your descriptions

 

Kinds of relations, on a spectrum of interestingness

 

Hierarchy of data, insights, and hypotheses

 

The triumvirate dominating forces of strategy, culture, and execution

 

Any business aims to do one or many of these things

• Grow shareholder value
• Grow earnings per share
• Increase revenue
• Manage costs
• Diversify or create new revenue streams
• Cross-sell more products
• Increase market share
• Increase share of wallet
• Increase yield
• Improve customer retention
• Reduce product error/defect rates
• Improve safety
• Improve time to market/speed of operations
• Grow through acquisition 

Visão computacional